Episode 81 - Who Framed Roger Rabbit
This week it's the final episode of Films about films month and we are talking dthe Patron's choice, Who Framed Roger Rabbit.
You'll learn about Bob Hoskins' process, The 1947 Brooklyn Dodgers, Looney Toons and why Walt Disney was a bad 'un.
Join tens of other patrons to help choose episodes, get a shout out and a bonus episode every single week all for just £1 at: https://www.patreon.com/100thingsfilm
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Who Framed Roger Rabbit is a 1988 American live-action/animated comedy mystery film directed by Robert Zemeckis, produced by Frank Marshall and Robert Watts, and loosely adapted by Jeffrey Price and Peter S. Seaman from Gary K. Wolf's 1981 novel Who Censored Roger Rabbit?. The film stars Bob Hoskins, Christopher Lloyd, Charles Fleischer, Stubby Kaye, and Joanna Cassidy. Set in a 1947 version of Hollywood where cartoon characters (commonly referred to as "toons") and people co-exist, the film follows Eddie Valiant, a private investigator hired to help exonerate Roger Rabbit, a toon who has been framed for the murder of the Acme Corporation's owner.
Walt Disney Pictures purchased the film rights for the film's story in 1981. Price and Seaman wrote two drafts of the script before Disney brought in executive producer Steven Spielberg and his production company, Amblin Entertainment. Zemeckis was brought on to direct the film while Canadian animator Richard Williams was hired to supervise the animation sequences. Production was moved from Los Angeles to Elstree Studios in England to accommodate Williams and his group of animators. While filming, the production budget began to rapidly expand and the shooting schedule ran longer than expected.
The film was released through Disney's Touchstone Pictures banner on June 22, 1988. It received acclaim from critics, who praised its visuals, humor, writing, and performances (particularly Hoskins), with critics and audiences considering it to be "groundbreaking". It grossed over $351 million worldwide, becoming the second-highest-grossing film of 1988. It brought a renewed interest in the Golden age of American animation, spearheading modern American animation and the Disney Renaissance.[7] It won three Academy Awards for Best Film Editing, Best Sound Effects Editing and Best Visual Effects and received a Special Achievement Academy Award for its animation direction by Williams.
In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[8][9]
